AFRO HOUSE ABLETON TEMPLATE | MASŠH & ADAM PORT FT. NINAE - ALL I GOT
This Ableton Live Remake of "All I Got" by Masšh, collaborating with Adam Port and featuring Ninae, is a fantastic learning tool for anyone looking to dive into Tech House production. The project is fully deconstructed, giving you a detailed look at how to work with instruments, samples, and production techniques, including settings, parameters, automation, plugins, and audio signal routing.
Created in Ableton Live, this template makes use of Xfer’s Serum v1.334 (or higher) and Nicky Romero’s Kickstart V2 plugins, allowing you to understand how to use these powerful tools in a professional context. It’s perfect for learning how to structure a track, design sounds, and apply mixing and mastering techniques.
Key details of the project include:
- File size: 44.3 MB
- Software requirements: Ableton Live 10.1.25 Suite or higher (Grand Piano Pack needed).
- VST Plugins: Xfer's Serum v1.334 (or higher) and Nicky Romero's Kickstart V2.
- Song Key: C Minor
- Time Length: 4:53
- Genre: Tech House
- Drums: All drum samples are included in the zipped project.
With everything mixed and mastered, this template is ready for you to download and start exploring. Whether you're looking to study the structure of a modern Tech House track or create your own variation, this project provides a great foundation for learning and experimentation.
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Ableton Live software is required for these projects unless otherwise stated. Please refer to each product description for specific plugin and software requirements.
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Can I use these stems to release on streaming platforms?
We don’t claim ownership or licensing rights over the projects on our site, and they are technically royalty-free except for the vocals, which should not be used in commercial releases unless you have explicit permission from the original rights holders.
That said, we cannot guarantee or clear rights for commercial use, especially when it comes to melodic elements like chords, leads, and plucks that may resemble copyrighted works. We recommend avoiding those for public releases, as they could be flagged for sounding too similar to the originals.
However, many producers in our community have successfully used drums, FX, presets, and utility stems from these projects in their own commercial work without any issues. These elements tend to be generic and are much less likely to trigger copyright concerns.
If you're ever unsure, it's always safest to treat the projects as a learning tool or source of inspiration — and to build original parts when it comes to vocals or melodies.
